Perfect Peace
Apr
23
6:30 PM18:30

Perfect Peace

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events―while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

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Midnight in Mexico: A Reporter's Journey Through a Country's Descent Into Darkness
Mar
26
6:30 PM18:30

Midnight in Mexico: A Reporter's Journey Through a Country's Descent Into Darkness

In the last six years, more than eighty thousand people have been killed in the Mexican drug war, and drug trafficking there is a multibillion-dollar business. In a country where the powerful are rarely scrutinized, noted Mexican American journalist Alfredo Corchado refuses to shrink from reporting on government corruption, murders in Juarez, or the ruthless drug cartels of Mexico. A paramilitary group spun off from the Gulf cartel, the Zetas, controls key drug routes in the north of the country. In 2007, Corchado received a tip that he could be their next target—and he had twenty four hours to find out if the threat was true.

Rather than leave his country, Corchado went out into the Mexican countryside to trace investigate the threat. As he frantically contacted his sources, Corchado suspected the threat was his punishment for returning to Mexico against his mother’s wishes. His parents had fled north after the death of their young daughter, and raised their children in California where they labored as migrant workers. Corchado returned to Mexico as a journalist in 1994, convinced that Mexico would one day foster political accountability and leave behind the pervasive corruption that has plagued its people for decades.

But in this land of extremes, the gap of inequality—and injustice—remains wide. Even after the 2000 election that put Mexico’s opposition party in power for the first time, the opportunities of democracy did not materialize. The powerful PRI had worked with the cartels, taking a piece of their profit in exchange for a more peaceful, and more controlled, drug trade. But the party’s long-awaited defeat created a vacuum of power in Mexico City, and in the cartel-controlled states that border the United States. The cartels went to war with one another in the mid-2000s, during the war to regain control of the country instituted by President Felipe Calderón, and only the violence flourished. The work Corchado lives for could have killed him, but he wasn't ready to leave Mexico—not then, maybe never. Midnight in Mexico is the story of one man’s quest to report the truth of his country—as he raced to save his own life.

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If Beale Street Could Talk
Feb
27
6:30 PM18:30

If Beale Street Could Talk

Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

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Take My Hand
Jan
23
6:30 PM18:30

Take My Hand

Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.

But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them.

Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten.

Because history repeats what we don’t remember.

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Crying in H Mart
Nov
28
6:30 PM18:30

Crying in H Mart

From the indie rock star of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian-American kids at her school in Eugene, Oregon; of struggling with her mother's particular high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band - and meeting the man who would become her husband - her Korean-ness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was 25, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and enjoy many times.

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Caste: The Origins of Our Discontent
Oct
24
6:30 PM18:30

Caste: The Origins of Our Discontent

“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”

In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched, and beautifully written narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their outcasting of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Original and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

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Solito
Sep
26
6:30 PM18:30

Solito

Trip. My parents started using that word about a year ago—“one day, you’ll take a trip to be with us. Like an adventure.”

Javier Zamora’s adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a “coyote” hired to lead them to safety, Javier expects his trip to last two short weeks.

At nine years old, all Javier can imagine is rushing into his parents’ arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.

A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora’s story, but it’s also the story of millions of others who had no choice but to leave home.

©2022 Javier Zamora (P)2022 Random House Audio

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See No Stranger
Aug
22
6:30 PM18:30

See No Stranger

How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur—renowned Sikh activist, filmmaker, and civil rights lawyer—describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation.
 
Kaur takes readers through her own riveting journey—as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world.
See No Stranger helps us imagine new ways of being with each other—and with ourselves—so that together we can begin to build the world we want to see.

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The Accommodation
Jan
25
6:30 PM18:30

The Accommodation

The powerful, long-repressed classic of Dallas history that examines the violent and suppressed history of race and racism in the city. Written by longtime Dallas political journalist Jim Schutze, formerly of the Dallas Times Herald and Dallas Observer, and currently columnist at D MagazineThe Accommodation follows the story of Dallas from slavery through the Civil Rights Movement, and the city’s desegregation efforts in the 1950s and ‘60s.

Known for being an uninhibited and honest account of the city’s institutional and structural racism, Schutze’s book argues that Dallas’ desegregation period came at a great cost to Black leaders in the city. Now, after decades out of print and hand-circulated underground, Schutze’s book serves as a reminder of what an American city will do to protect the white status quo

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The Wonderous Life of Oscar Wao
Nov
23
6:30 PM18:30

The Wonderous Life of Oscar Wao

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love.

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Crooked Hallelujah
Oct
26
8:30 PM20:30

Crooked Hallelujah

It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church – a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever.

Crooked Hallelujah tells the stories of Justine―a mixed-blood Cherokee woman― and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their

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Once I Was You
Sep
28
8:30 PM20:30

Once I Was You

The Emmy Award–winning journalist and anchor of NPR’s Latino USA tells the story of immigration in America through her family’s experiences and decades of reporting, painting an unflinching portrait of a country in crisis in this memoir that is “quite simply beautiful, written in Maria Hinojosa’s honest, passionate voice” (BookPage).

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Interior Chinatown
Aug
24
8:30 PM20:30

Interior Chinatown

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told, time and time again. Except by one person, his mother. Who says to him: Be more.

Playful but heartfelt, a send-up of Hollywood tropes and Asian stereotypes, Interior Chinatown is Charles Yu’s most moving, daring, and masterly novel yet.

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Interior Chinatown
Jun
15
6:30 PM18:30

Interior Chinatown

Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it?

After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.

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Uneasy Street: The Anxieties of Affluence
May
18
6:30 PM18:30

Uneasy Street: The Anxieties of Affluence

From TV’s “real housewives” to The Wolf of Wall Street, our popular culture portrays the wealthy as materialistic and entitled. But what do we really know about those who live on “easy street”? In this penetrating book, Rachel Sherman draws on rare in-depth interviews that she conducted with fifty affluent New Yorkers―including hedge fund financiers and corporate lawyers, professors and artists, and stay-at-home mothers―to examine their lifestyle choices and their understanding of privilege. Sherman upends images of wealthy people as invested only in accruing and displaying social advantages for themselves and their children. Instead, these liberal elites, who believe in diversity and meritocracy, feel conflicted about their position in a highly unequal society. They wish to be “normal,” describing their consumption as reasonable and basic and comparing themselves to those who have more than they do rather than those with less. These New Yorkers also want to see themselves as hard workers who give back and raise children with good values, and they avoid talking about money.

Although their experiences differ depending on a range of factors, including whether their wealth was earned or inherited, these elites generally depict themselves as productive and prudent, and therefore morally worthy, while the undeserving rich are lazy, ostentatious, and snobbish. Sherman argues that this ethical distinction between “good” and “bad” wealthy people characterizes American culture more broadly, and that it perpetuates rather than challenges economic inequality.

As the distance between rich and poor widens, Uneasy Street not only explores the real lives of those at the top but also sheds light on how extreme inequality comes to seem ordinary and acceptable to the rest of us.

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The Prophets
Apr
20
6:30 PM18:30

The Prophets

Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony.

With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

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I Am Not Your Perfect Mexican Daughter
Mar
16
6:30 PM18:30

I Am Not Your Perfect Mexican Daughter

Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family.

But Julia is not your perfect Mexican daughter. That was Olga’s role.

Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

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The Finkler Question
Feb
16
6:30 PM18:30

The Finkler Question

Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer, and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never lost touch with each other, or with their former teacher, Libor Sevcik.

Dining together one night at Sevcik's apartment—the two Jewish widowers and the unmarried Gentile, Treslove—the men share a sweetly painful evening, reminiscing on a time before they had loved and lost, before they had prized anything greatly enough to fear the loss of it. But as Treslove makes his way home, he is attacked and mugged outside a violin dealer's window. Treslove is convinced the crime was a misdirected act of anti-Semitism, and in its aftermath, his whole sense of self will ineluctably change.

The Finkler Question is a funny, furious, unflinching novel of friendship and loss, exclusion and belonging, and the wisdom and humanity of maturity.

Winner of the 2010 Man Booker Prize.

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How Much of These Hills is Gold
Jan
26
6:30 PM18:30

How Much of These Hills is Gold

Ba dies in the night; Ma is already gone. Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.

Both epic and intimate, blending Chinese symbolism and reimagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story, an unforgettable sibling story, and the announcement of a stunning new voice in literature. On a broad level, it explores race in an expanding country and the question of where immigrants are allowed to belong. But page by page, it’s about the memories that bind and divide families, and the yearning for home.

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Homegoing
Dec
22
6:30 PM18:30

Homegoing

Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery.

Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.

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First They Killed My Father: A Daughter of Cambodia Remembers
Oct
27
6:30 PM18:30

First They Killed My Father: A Daughter of Cambodia Remembers

From a childhood survivor of the Camdodian genocide under the regime of Pol Pot, this is a riveting narrative of war crimes and desperate actions, the unnerving strength of a small girl and her family, and their triumph of spirit.

One of seven children of a high-ranking government official, Loung Ung lived a privileged life in the Cambodian capital of Phnom Penh until the age of five. Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to labor camps, and those who survived the horrors would not be reunited until the Khmer Rouge was destroyed.

Harrowing yet hopeful, Loung's powerful story is an unforgettable account of a family shaken and shattered, yet miraculously sustained by courage and love in the face of unspeakable brutality.

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Racial Equity Task Force – Reggie Harris Concert
Oct
10
7:00 PM19:00

Racial Equity Task Force – Reggie Harris Concert

The power of song is known around the world for its ability to connect people, build community across boundaries and to inspire action for positive change.

World-renowned musician, storyteller and civil rights advocate Reggie Harris is a vibrant part of that change as he relates songs and stories in the model of the elders who shaped his youth and original material informed by his vast experience of performing with audiences of all ages for over 40 years.

Combining both time tested wisdom from his mentors Pete Seeger, Harry Belafonte and others with present day insights, Reggie will have you singing, laughing and thinking about our ability to make our world a more just and inclusive place for us all. Join us for an exciting, inspirational and interactive time of joy and hope!

Register for the online event HERE

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Engaging Race at Work
Oct
7
12:30 PM12:30

Engaging Race at Work

Research Connect: Engaging Race at Work

Wednesday, Oct. 7
12:30 p.m. to 1:30 p.m.

Black Lives Matter, a social justice movement that has spread across the entire world, has challenged us to think if organizations are indeed effectively engaging race at work. Abundant research has talked about a diverse climate, yet not much work has talked about creating a productive “inclusion climate.” Failure to effectively engage race at work not only leads to social justice issues but also creates a barrier that can prevent an organization from reaching its full potential.

Join the Translational Research Center for an exciting panel discussion on how we can effectively engage race at work and how research can help the world create a more inclusive environment.

REGISTER

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Retablos: Stories from a Life Lived Along the Border
Sep
22
6:30 PM18:30

Retablos: Stories from a Life Lived Along the Border

The New York Times directs readers to Retablos if you want to know "what's life really like on the Mexican border." "Solis grew up just a mile from the Rio Grande in El Paso, Texas, and he tells stories about his childhood and coming of age, including his parents migration to the United States from Mexico, his first encounter with racism and finding a Mexican migrant girl hiding in the cotton fields."—Concepción de León, New York Times

Seminal moments, rites of passage, crystalline vignettes—a memoir about growing up brown at the U.S./Mexico border.

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BEYOND WHITE FRAGILITY: Free Online Workshop
Sep
20
1:00 PM13:00

BEYOND WHITE FRAGILITY: Free Online Workshop

Beyond White Fragility:

Courage for Racial Justice, Courage for Collective Liberation

Please sign up HERE. For more information, keep reading.

We are living in monumental times of mass movement for Black Lives and for overall racial justice.  These are times when a Presidential election will dramatically impact the future of our country, the future of democracy.  And a time when the call and need for strong racial justice values and action in our congregations and communities is critically important.  While there is much talk about white fragility and white silence getting in the way, this is a workshop to develop resilience, courage and leadership for the times we are facing now.  

Join us for an interactive workshop with longtime social justice educator, author and organizer, Chris Crass, one of the leading voices in the country calling for and supporting white people to work for racial justice. 

Whether you’ve been active for decades or a few days, this is an opportunity to become stronger, more inspired, more resilient, and more courageous in your racial justice work. While one of the themes of the workshop is white people working for racial justice, the overall theme of the workshop is how we can build stronger racial justice values and action in our congregations and communities, and the workshop is for all who want to do this work.

Workshop leader Chris Crass is a social justice educator who writes and speaks widely on courage for racial justice, feminism for men, lessons from past movements, and creating healthy culture and leadership for progressive activism.  He works with community groups, schools and faith communities to develop leadership and momentum for social justice action, and he is a leader with the national network, Organizing White Men for Collective Liberation. 

Chris was a founder of the anti-racist movement building center, the Catalyst Project, and helped launch the national white anti-racist network, SURJ (Showing Up for Racial Justice). Rooted in his Unitarian Universalist faith, Chris works with congregations, seminaries, and religious activists to build the Spiritual Left. He is also the author of Towards Collective Liberation: anti-racist organizing, feminist praxis, and movement building strategy and Towards the “Other America”: Anti-Racist Resources for White People Taking Action for Black Lives Matter.

You can learn more about Chris’s work at www.chriscrass.org.

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The Immortal Life of Henrietta Lacks
Aug
25
6:30 PM18:30

The Immortal Life of Henrietta Lacks

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine: The first “immortal” human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions.

Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.

Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.

Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn’t her children afford health insurance?

Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

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Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor
Jul
28
6:30 PM18:30

Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor

When Layla Saad began an Instagram challenge called #meandwhitesupremacy, she never predicted it would spread as widely as it did. She encouraged people to own up and share their racist behaviors, big and small. She was looking for truth, and she got it. Thousands of people participated in the challenge, and nearly 100,000 people downloaded the Me and White Supremacy Workbook.

Updated and expanded from the original workbook, Me and White Supremacy,takes the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources.

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Jun
23
6:30 PM18:30

NYTimes Editorial on Racism

Discussion of Editorial: Remember, No one is Coming to Save Us

By Roxane Gay Contributing Opinion Writer, New York Times.

May 30, 2020 • • After Donald Trump maligned the developing world in 2018, with the dismissive phrase “shithole countries,” I wrote that no one was coming to save us from the president. Now, in the midst of a pandemic, we see exactly what that means.

The economy is shattered. Unemployment continues to climb, steeply. There is no coherent federal leadership. The president mocks any attempts at modeling precautionary behaviors that might save American lives. More than 100,000 Americans have died from Covid-19.

Many of us have been in some form of self-isolation for more than two months. The less fortunate continue to risk their lives because they cannot afford to shelter from the virus. People who were already living on the margins are dealing with financial stresses that the government’s $1,200 “stimulus” payment cannot begin to relieve. A housing crisis is imminent. Many parts of the country are reopening prematurely. Protesters have stormed state capitals, demanding that businesses reopen. The country is starkly dividing between those who believe in science and those who don’t.

Quickly produced commercials assure us that we are all in this together. Carefully curated images, scored by treacly music, say nothing of substance. Companies spend a fortune on airtime to assure consumers that they care, while they refuse to pay their employees a living wage. Commercials celebrate essential workers and medical professionals.

Commercials show how corporations have adapted to “the way we live now,” with curbside pickup and drive-through service and contact-free delivery. We can spend our way to normalcy, and capitalism will hold us close, these ads would have us believe.

Some people are trying to provide the salvation the government will not. There are community-led initiatives for everything from grocery deliveries for the elderly and immunocompromised to sewing face masks for essential workers. There are online pleas for fund-raising. Buy from your independent bookstore. Get takeout or delivery from your favorite restaurant. Keep your favorite bookstore open. Buy gift cards. Pay the people who work for you, even if they can’t come to work. Do as much as you can, and then do more.

These are all lovely ideas and they demonstrate good intentions, but we can only do so much. The disparities that normally fracture our culture are becoming even more pronounced as we decide, collectively, what we choose to save — what deserves to be saved.

And even during a pandemic, racism is as pernicious as ever. Covid-19 is disproportionately affecting the black community, but we can hardly take the time to sit with that horror as we are reminded, every single day, that there is no context in which black lives matter.

Breonna Taylor was killed in her Louisville, Ky., home by police officers looking for a man who did not even live in her building. She was 26 years old. When demonstrations erupted, seven people were shot.

Ahmaud Arbery was jogging in South Georgia when he was chased down by two armed white men who suspected him of robbery and claimed they were trying perform a citizen’s arrest. One shot and killed Mr. Arbery while a third person videotaped the encounter. No charges were filed until the video was leaked and public outrage demanded action. Mr. Arbery was 25 years old.

In Minneapolis, George Floyd was held to the ground by a police officer kneeling on his neck during an arrest. He begged for the officer to stop torturing him. Like Eric Garner, he said he couldn’t breathe. Three other police officers watched and did not intervene. Mr. Floyd was 46 years old. These black lives mattered.

These black people were loved. Their losses to their friends, family, and communities, are incalculable.

Demonstrators in Minneapolis took to the street for several days, to protest the killing of Mr. Floyd. Mr. Trump — who in 2017 told police officers to be rough on people during arrests, imploring them to “please, don’t be too nice” — wrote in a tweet, “When the looting starts, the shooting starts.” The official White House Twitter feed reposted the president’s comments. There is no rock bottom.

Christian Cooper, an avid birder, was in Central Park’s Ramble when he asked a white woman, Amy Cooper, to comply with the law and leash her dog. He began filming, which only enraged Ms. Cooper further. She pulled out her phone and said she was going to call the police to tell them an African-American man was threatening her.

She called the police. She knew what she was doing. She weaponized her whiteness and fragility like so many white women before her. She began to sound more and more hysterical, even though she had to have known she was potentially sentencing a black man to death for expecting her to follow rules she did not think applied to her. It is a stroke of luck that Mr. Cooper did not become another unbearable statistic.

An unfortunate percentage of my cultural criticism over the past 11 or 12 years has focused on the senseless loss of black life. Mike Brown. Trayvon Martin. Sandra Bland. Philando Castile. Tamir Rice. Jordan Davis. Atatiana Jefferson. The Charleston Nine.

These names are the worst kind of refrain, an inescapable burden. These names are hashtags, elegies, battle cries. Still nothing changes. Racism is litigated over and over again when another video depicting another atrocity comes to light. Black people share the truth of their lives, and white people treat those truths as intellectual exercises.

They put energy into being outraged about the name “Karen,” as shorthand for entitled white women rather than doing the difficult, self-reflective work of examining their own prejudices. They speculate about what murdered black people might have done that we don’t know about to beget their fates, as if alleged crimes are punishable by death without a trial by jury. They demand perfection as the price for black existence while harboring no such standards for anyone else.

Some white people act as if there are two sides to racism, as if racists are people we need to reason with. They fret over the destruction of property and want everyone to just get along. They struggle to understand why black people are rioting but offer no alternatives about what a people should do about a lifetime of rage, disempowerment and injustice.

When I warned in 2018 that no one was coming to save us, I wrote that I was tired of comfortable lies. I’m even more exhausted now. Like many black people, I am furious and fed up, but that doesn’t matter at all.

I write similar things about different black lives lost over and over and over. I tell myself I am done with this subject. Then something so horrific happens that I know I must say something, even though I know that the people who truly need to be moved are immovable. They don’t care about black lives. They don’t care about anyone’s lives. They won’t even wear masks to mitigate a virus for which there is no cure.

Eventually, doctors will find a coronavirus vaccine, but black people will continue to wait, despite the futility of hope, for a cure for racism. We will live with the knowledge that a hashtag is not a vaccine for white supremacy. We live with the knowledge that, still, no one is coming to save us. The rest of the world yearns to get back to normal. For black people, normal is the very thing from which we yearn to be free.

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American Spy
May
26
6:30 PM18:30

American Spy

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent.

In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.

Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice.

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